A new paper edited [AAU]

REcall Venice: Exploring disciplines of visual literacy through difficult cultural heritage 
Tenna Doktor Olsen Tvedebrink, Anna Marie Fisker & Hans Ramsgaard Møller 

Visual Literacies 7th Global Conference: Exploring Critical Issues (Athens 2013)


According to James Elkin visual literacy is interpreted as material representations, which communicate knowledge and create insight through their visual appearance. Based on the EU Cultural Heritage project ‘REcall’, we argue that visual literacy also can relate to interdisciplinary knowledge rooted in architectural environments.

Our paper takes departure in the project ‘REcall’ that seeks to formulate a new role of the architectural environment based on invigorated research on the cultural landscapes of WWI and WWII. Based on interdisciplinary workshops employing creative approaches and tools; artists, architects, museologists and archeologists question the role of architectural environments when dealing with war heritage. Today there are still traces left from WWII in the European architectural environments, traces that by visual literacy represent unpleasant memories. However, these visual literacies have shaped our environment, yet, slowly the collective memories are fading as the physical signs vanish. As time moves on, the visual literacies become merely fictive if nothing is done to preserve them, but what knowledge should be told?

Our thesis is that there is a link between war memories and cultural identity. Our paper deals with the difficult war heritage, and we explore how we can use visual literacy to move beyond the critical local context into general constructs, and further how visual literacy is connected to the visual thinking. On the background of the ‘REcall Venice’ and ‘REcall Falstad’ projects, we advocate that new actions recalling the visual literacies might prevent knowledge from being forgotten. In order to communicate meaningful knowledge about the past with caution and decency, we explore how this recalling is based on the practical interdisciplinary process of “historicization” using the visual literacies rooted in the architectural environment to interpret and reconstruct history, facts, form and fiction. A curriculum design in, or across disciplines connected to and through visual literacy.

Key Words: Visual literacies, architectural environment, interdisciplinary, art, archaeology, museology, architecture, difficult heritage, collective memory.

Download the full paper here or read it on REcall-project ISSUU page

a new paper edited [POLIMI]

Re-appropriation: Museography for Traumatic Memories

by Michela Bassanelli, Gennaro Postiglione
in: Int AR – Difficult Memories: Reconciling Meaning, Vol. 4/2013



In the debate on Contemporary Memory, two are the terms included constantly in the incipit of the major works of the literature on this topic: obsession and hypertrophy (Huyssen 2003, Agazzi and Fortunati 2007, Macdonald 2009). The theme of Memory has become a subject of discussion in different fields of knowledge: from social to biomedical sciences, from visual culture to media. In the last ten years the critics (Caruth 1995, Antze and Lambekm 1996, Edkins 2003) have focused on a particular aspect of Memory of traumatic and painful events: “If the 1980s were the decade of a happy postmodern pluralism, the 1990s seemed to be haunted by trauma as the dark underside of neoliberal triumphalism” (Huyssen 2003, 8).

Key Words: conflict archaeology, museography, architecture, difficult heritage, collective memory, exhibition design

Read the full paper here or browse REcall-project publications on ISSUU